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8 articles
Most of the rules keeping your work off the internet aren't coming from the outside world — they're coming from you. Here's how to spot the imaginary gatekeepers you've built, and what to actually do about them.
Feedback is supposed to make your work better — and the right feedback absolutely does. But not all of it is right, and most artists never build a real system for figuring out which critiques to take seriously and which to set aside. Here's the framework I use to sort signal from noise without dismissing people I care about.
The gap between projects is where most artists lose their audience — not because people stopped caring, but because silence reads as disappearance. Here's a practical approach to keeping your community warm, engaged, and genuinely invested during the in-between times.
Self-criticism is one of the most important skills a creative person can develop — and one of the most misunderstood. There's a huge difference between genuine discernment and the inner voice that just tears everything down. Here's how to tell them apart and train the one that actually helps.
Your streaming dashboard is always open in a tab somewhere, isn't it? Mine used to be too. But somewhere between refreshing Spotify for Artists at midnight and wondering why a song I loved had half the plays of one I almost didn't release, I started asking a different question: what are these numbers actually telling me — and what are they hiding?
Every artist has something about themselves they've been quietly editing out — the obsession that feels too niche, the aesthetic that feels too odd, the reference pool that nobody else seems to share. This is your guide to stopping that edit. Because the thing you've been filing away might be the most interesting thing about your work.
The piece I almost didn't release — the one I thought was too specific, too strange, too much — ended up connecting with more people than anything I'd carefully crafted for mass appeal. It turns out that being genuinely, uncomfortably specific isn't a liability. It's the whole point.
There's a version of creative success that looks like mastering one thing completely. I tried that. What I found instead is that the most interesting creative work happens at the edges — where visual art bleeds into music, where music becomes narrative, where story shapes everything. Here's why I think you need all three.